Entertainment attorney, public speaker, author, and dark pop singer, Miss Krystle discusses how to build your music business and brand and talks about everything in the entertainment industry: from legal, business, career, and everything in between on The Top Music Attorney Podcast.
Episodes
Sunday May 05, 2024
Sunday May 05, 2024
In this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and Show/Music Producer That Orko tackle your questions on finding out how much money you've made from your album, the difference between cover songs and remix royalties, their experience performing at SXSW, understanding ISRC codes for your songs, and more. Tune in to get insights and expert advice on navigating the music industry's legal landscape. Don't miss out! Subscribe now for more valuable discussions and tips for artists, producers, and record labels. Visit topmusicattorney.com for legal resources and guidance.
00:00 Introduction
01:00 How Can I Find How Much I Made Off My Album?
01:58 Cover Song Vs Remix Royalties
03:03 Have You Performed At SXSW?
04:10 Samples Vs Interpolations
05:58 What Are ISRC Codes
07:49 Can You Sing About Or Reference Another Song?
09:20 Changing Cover Song Lyrics
11:49 Can You Cover Blondie "Rapture" and Change Lyrics?
14:11 Miss Krystle “Stronger”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Friday May 03, 2024
Friday May 03, 2024
🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel
In this Top Music Attorney Podcast segment, Curtiss King and entertainment attorney Miss Krystle talk about the power of direct-to-consumer (DTC) strategies in music. They discuss how artists can build their own platforms to connect directly with fans, bypassing middlemen. Curtiss King shares practical tips from his own experiences on how DTC approaches can help artists grow their fan base and make money independently. They emphasize the benefits of artists owning their music and distribution channels. Is it time to say Goodbye to Streaming and make more money from music?
00:00 Introduction
01:07 Future Of Music For Artists Is Direct To Consumer
03:34 Music Management Agreement
05:25 Streaming vs. Direct To Consumer
06:31 Utilizing AI To Help Your Music Business
06:47 Dedicating Time To Admin Work For Your Music Business
08:25 Learning How The Music Business Works & Becoming Your Own Record Label
10:45 Importance Of Die-Hard "Super Fans"
13:30 Adapting & Reacting To The Music Industry
15:40 The Value Of Art
17:37 Break Away From The System As An Independent
18:35 Curtiss King Endeavors
19:18 Advice For Independent Artists
21:06 Thank You Curtiss King!
21:29 Final Thoughts From Curtiss King
22:56 Miss Krystle “Let It Go”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Friday Apr 26, 2024
Friday Apr 26, 2024
On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive into some industry Q&A. They cover topics like getting paid on TikTok, spotting fake plays on Spotify playlists, dealing with marketing companies, and understanding sync licensing. Their conversation is peppered with insights, anecdotes, and practical advice for musicians navigating the modern music landscape. Be sure to drop your questions in the chat. Miss Krystle will be answering your questions LIVE every Tuesday at 5pm PST.
00:00 Intro
01:07 Do you get paid from TikTok per Video or Per Stream From your PRO?
03:12 What about Spotify Playlist Bots?
04:04 Did I accidentally buy fake Spotify streams?
06:56 Coffee Or No?
08:01 Where are all the places to register music?
09:12 Can a song on streaming be eligible for sync, or does it need to be exclusive?
10:23 Do I need a contract for sync with my co publisher?
12:25 Miss Krystle “Sugar”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Friday Apr 19, 2024
Friday Apr 19, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle discusses often misunderstood world of cover songs and shares insights on how to legally perform and distribute cover songs on YouTube in 2024 and navigating the updates. From understanding the nuances between sampling and cover songs to the legal requirements and potential pitfalls, this video provides valuable information for musicians, producers, and artists looking to incorporate cover songs into their repertoire. Learn about the importance of securing licenses, dealing with takedown requests, and ensuring compliance with copyright laws. Whether you're a seasoned musician or just starting out, this step by step guide will help you navigate the legal landscape of cover songs and leverage them effectively as a marketing tool for your music career. Subscribe for more legal tips and insights to protect your artistic endeavors.
00:00 Introduction
01:07 How To Legally Do Cover Songs
01:52 Sampling vs. Cover Songs
01:59 Sampling
02:27 Interpolations
03:04 Cover Songs
04:02 Copyright Act
05:00 Blanket Licenses Are Obtained By Digital Music Providers
05:39 Mechanical Licensing Collective
06:27 Filing A Takedown
07:47 How Do Composers & Publishers Get Paid?
08:38 Syncing Your Cover Song To A Visual
11:04 Cover Song Benefits
12:09 Changing 2 Words In A Cover Song
15:45 Miss Krystle "Monster"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Monday Apr 08, 2024
Monday Apr 08, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko discuss the common pitfalls faced by music producers when using Splice samples and why YouTube might flag beats. They discuss the importance of understanding the terms of use on platforms like Splice. They also explore the implications of using samples in commercial releases, the challenges with Content ID, and the necessity of chopping up samples creatively. Additionally, they touch upon the benefits of starting an LLC for sync works and the evolving landscape of music distribution, including the trend of artists selling directly to fans.
00:00 Intro
01:08 YouTube Is Flagging My Splice Samples. Help!
02:37 Should I Start An LLC For My Sync Work?
03:55 How Would A Union Pay Better Today Than In The Past?
04:54 Would An Artist And A Producer Have The Same Union?
05:54 Should I Use My Artist Name As A DBA For My LLC?
06:20 Where To Get Admin Agreement For Music Supervisors
06:54 Are Artists Better Off Selling On Their Own Website?
08:27 Promoting And Selling Without Being Spammy
10:53 Miss Krystle "Let It Go"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Friday Apr 05, 2024
Friday Apr 05, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle, delves into a game-changing strategy that not only helps musicians make a substantial income but also serves as a powerful marketing tool. Your music could be the next big thing in TV, film, or games! Drawing from her own experiences of securing placements on platforms like Lifetime, Hulu, and Disney+, She the secrets on how to navigate the sync licensing landscape. From the smart move of utilizing royalty-free stock music platforms to exploring sync pitching libraries and even establishing direct licensing deals, she provides a comprehensive guide. Miss Krystle shares her insights on finding contacts, crafting the perfect email pitch, and, of course, the "Please Don't Do This" list. If you're serious about monetizing your musical journey, this episode is a goldmine of valuable information. Let's get your music placed.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
01:07 Get Your Music Into Tv, Film, Games
02:24 1. Royalty-Free Stock Music
03:49 2. Sync Pitching Libraries
05:11 3. Submit Your Music Directly To Music Supervisors
06:22 Sync Licensing Made Easy
06:40 4. Direct Licensing Deals
07:10 How To Find Contact Information
06:59 Where To Find Music Supervisors
07:58 Tunefind
08:40 IMDB Pro
08:57 LinkedIn
09:31 Drafting The Perfect Email
10:55 No Attachments
11:45 Disco
12:20 "Please Don't Do This" List
13:30 Best Resource To Get Your Music In Tv, Film, & Games
14:13 Miss Krystle “Monster”
Thursday Apr 04, 2024
Thursday Apr 04, 2024
In this episode of the Top Music Attorney Podcast, Miss Krystle and Benn Jordan tackle pressing matters in the music industry, including artist compensation, challenges with digital distribution platforms like TuneCore, and legislative efforts aimed at ensuring fair pay for musicians. They discuss the complexities of streaming revenue, the dominance of major labels, and the potential impact of proposed bills on both artists and listeners. Additionally, they touch on broader issues of copyright, the value of intellectual property, and the future of music consumption. Watch as Ben Jordan exposes Spotify.
Benn Jordan is an American electronic music producer and multi-instrumentalist known for his versatility and innovative approach to music, as well as providing inside knowledge of the music industry on his channel. With a prolific output under various aliases, most notably "The Flashbulb," Jordan's work spans across genres from IDM, jazz, to ambient music. His distinctive style, blending intricate electronic production with live instrumentation, has garnered him critical acclaim and a dedicated fan base. Jordan's music often explores complex emotional themes, making his discography a rich and varied exploration of the human experience through sound.
Legal Disclaimer: The information, ideas, and suggestions in this podcast are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
00:10 Living Wage for Musicians Act
02:20 Equal Royalties
04:18 Universal Leaving TikTok
05:10 Spotify Not Making A Profit
06:28 Spotify's Business Model
08:33 The Problem With Spotify's & Streaming Service
09:09 Abandoning IP & Copyright
11:54 Releasing Music Through Patreon & Donations
15:15 Why Benn Jordan Still Uses Spotify
16:32 Accessibility Of Spotify & Streaming Services
19:27 Socialized Copyright
22:09 Miss Krystle "Something In The Way"
Monday Apr 01, 2024
Monday Apr 01, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle updates you on the ongoing battle with TuneCore. This video, "Tunecore Responds... "covers TuneCore's response, which is now threating her.
In her first video of the series "Dear TuneCore", exposed TuneCore's handling of artist royalties in this shocking video, Dear TuneCore... Miss Krystle unveils a case where TuneCore refused to release substantial earnings to an artist, citing allegations of streaming fraud without presenting concrete evidence.
Miss Krystle dissects TuneCore's terms of service, emphasizing a vague clause granting the platform discretionary power to withhold or redistribute funds based on unspecified claims of improper conduct. This video explores the questionable practices and exposes the startling revelation that TuneCore labeled the artist as a "scumbag" while refusing direct payment.
This episode shines a light on an issue affecting numerous artists who may be unaware of their rights. Share this video. Let's get TuneCore to change their practices and end the trend of withholding artists' earnings. If you're an artist or part of the music industry, understanding these nuances is crucial for safeguarding your rights against potential exploitation. Give it a thumbs up, share, and let's bring awareness to important issue.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
01:07 Recap
06:00 TuneCore's Latest Response
06:46 DSP Information Provided To TuneCore
09:24 Amazon's Analysis Of Distributed Recordings
11:55 "Evidence" Of Streaming Manipulation
14:24 TuneCore Reacts To Top Music Attorney
16:34 TuneCore Threatens Counterclaims
20:35 TuneCore Demands Removal Of Content & Full Retraction
24:03 Message From Client
25:52 Miss Krystle “I Am Your Sun”
Monday Mar 25, 2024
Monday Mar 25, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle and show/music producer That Orko answer your questions. From copyrighting songs with leased beats to album registration strategies, they cover collaboration agreements, syncing licenses, and choosing the right attorney. Don't miss out on this valuable discussion!
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Intro
01:08 Can you copyright a song with a leased beat?
02:19 Should I copyright each song on a 9-song album separately?
03:41 Will Priam Digital Distribution add your label info to streaming?
04:06 What agreement should I have with the producer doing my remix?
05:28 Who has “Sync Rights” in collaborations?
06:48 How do you find a good lawyer in your area?
09:00 Help! DistroKid claimed copyright against my Facebook video
09:43 Miss Krystle "Sugar"
Saturday Mar 23, 2024
Saturday Mar 23, 2024
#TuneCoreExposed #BennJordanTuneCore #BennJordanInterview
In this episode of the Top Music Attorney Podcast, join Entertainment Attorney Miss Krystle as she talks with Benn Jordan about his firsthand experience with TuneCore. Benn shares his journey as a musician whose music was unexpectedly pulled from streaming platforms, including Spotify. They explore the intricacies of the music industry, the challenges faced by independent artists, and the impact of major distributors like TuneCore.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Spotify Removing Benn Jordan's Music
03:09 Spotify & TuneCore Response
06:06 Streaming Fraud
08:13 TuneCore's Terms Of Service Issue
09:20 Class Action Against Music Distributors
11:40 How Money Moves In The Music Industry
15:15 Miss Krystle “Let It Go”