Episodes
2 days ago
2 days ago
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
On this episode of the Top Music Attorney Podcast, where entertainment attorney Miss Krystle and renowned show/music producer That Orko delve into Pharrell Williams' latest album release 'Black Yacht Rock Vol.1', the dispute between Chad Hugo & Pharrell Williams over The Neptunes, and the concept of Direct To Consumer music distribution. Explore the strategies artists are adopting to connect directly with their fans, including Curtiss King's decision to remove all music from Spotify and the implications of the Living Wage For Musicians Act. We're talking selling music directly to fans through websites, the profitability of Direct To Consumer models, and alternative revenue streams for independent artists. Discover the power of platforms like Bandcamp and the importance of fan support in today's music industry landscape. Plus, uncover exclusive tips on making money through your website.
00:00 Intro
1:16 Pharrell Williams Drops Black Yacht Rock Vol.1
2:56 Chad Hugo & Pharrell Williams Dispute Over The Neptunes
3:32 Direct To Consumer
3:52 Curtiss King Removing All Music From Spotify
5:47 Pharrell Williams Direct To Consumer Website
7:38 Direct To Consumer Strategies
13:21 Add Downloaded Songs Into Spotify
14:23 Fans Want To Support Artists / Ways To Make Money Through Your Website
19:02 Miss Krystle "Something In The Way"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
3 days ago
3 days ago
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive deep into Udio's Terms of Service and discussing the nuances of releasing AI music. They explore the copyright implications, DMCA takedowns, and the practicalities of filing copyrights for AI-generated compositions. Tune in for a comprehensive discussion on the impact of AI on music creation, its effects on job roles, and the evolution of music ownership in the digital age. Don't miss this exploration of whether AI is just another tool or a potential threat to artists' rights, as well as insights on the best time to explore direct-to-consumer avenues. For a thought-provoking conversation on the future of AI in music, stay tuned to the Top Music Attorney Podcast.
00:00 Intro
1:05 Udio Generative AI Music
1:42 Releasing AI Music
2:35 Owning The Copyright of AI Music
4:49 Udio's Terms of Service
5:39 Overview of Services (Input & Output Content)
6:17 Rights To Use Your Input/Output Content
8:17 Violations & Requirements
8:53 Ownership and Content
10:10 Udio Trademark Search
13:13 Your Content
20:09 DMCA Takedowns
21:45 Filing Your Copyright With AI
23:23 Generated Output
24:32 Limitations of Liability
25:49 AI in Music
28:48 AI Music Effects In The Music Industry
30:07 Who Owns The Copyright of AI Generated Music
31:12 Choice of Law
32:16 Access To Udio
32:45 Training AI With Human Music
34:15 AI's Effect On Jobs
35:21 Opting Out of Udio
36:44 Evolution of Music
38:32 Ownership of AI Generated Music
39:05 Artists Already Emulate Other Artists' Styles, Don't They?
39:47 Is AI Just Another Tool? (Autotune, Chord Generators)
40:22 Is AI The Same As Sampling? Exploiting Artists?
41:13 Best Time To Try Direct To Consumer
41:43 Final Thoughts
42:00 Miss Krystle “Monster”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
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🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Monday May 06, 2024
DistroKid Exposed : Terms Of Service... (Don't Sign Up Until You Hear This!)
Monday May 06, 2024
Monday May 06, 2024
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
In this episode of the Top Music Attorney Podcast, following our eye-opener on TuneCore, I'm now looking towards DistroKid's Terms of Service. As an artist and legal expert, I'll decode the contract specifics, highlighting potential traps and key points like non-exclusive agreements, ISRC codes, and what those "I Agree" boxes really entail. This deep dive will unveil hidden clauses that could impact your royalties and rights, drawing from our TuneCore exposed series to question if DistroKid presents similar issues. Through practical insights, I aim to arm you with the knowledge needed to navigate these agreements confidently, ensuring your music and rights are safeguarded in this digital age. Let's dissect, discuss, and demand transparency and fairness in music distribution, making sure artists are fully informed and protected. Don't Sign Up Until You Watch This!
DistroKid Exposed : Terms Of Service...
00:00 Introduction
01:07 Music Distributors Terms Of Service
01:40 DistroKid Terms Of Service
02:50 DistroKid Distribution Agreement
05:46 ISRC Number
05:54 Non-Exclusivity On DistroKid
07:04 Digital Store Rights
10:05 Your Account
11:11 Cover Songs On DistroKid
12:17 Term
13:31 Termination
15:36 Grant Of Rights
17:13 HyperFollow
17:33 Your Responsibilities
18:50 Consult A Lawyer
19:59 Payments & Accounting Terms
20:52 Lump-Sum Payment From Digital Stores
22:29 Objections To Accounting Statements
24:03 Claims On Recordings
26:48 Payment Deductions
27:40 How They Can Take Your Money
28:28 How Does DistroKid Define Infringement?
29:10 Representations & Warranties: Indemnification
30:10 No Warranties: Limitation Of Liability
30:46 Written Notice Specifying Alleged Breach
31:48 Send Notices To legal@distrokid.com
32:17 DistroKid's Right To Kick You Off
33:06 Conclusion
33:56 Miss Krystle ”Something In The Way”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Sunday May 05, 2024
Sunday May 05, 2024
In this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and Show/Music Producer That Orko tackle your questions on finding out how much money you've made from your album, the difference between cover songs and remix royalties, their experience performing at SXSW, understanding ISRC codes for your songs, and more. Tune in to get insights and expert advice on navigating the music industry's legal landscape. Don't miss out! Subscribe now for more valuable discussions and tips for artists, producers, and record labels. Visit topmusicattorney.com for legal resources and guidance.
00:00 Introduction
01:00 How Can I Find How Much I Made Off My Album?
01:58 Cover Song Vs Remix Royalties
03:03 Have You Performed At SXSW?
04:10 Samples Vs Interpolations
05:58 What Are ISRC Codes
07:49 Can You Sing About Or Reference Another Song?
09:20 Changing Cover Song Lyrics
11:49 Can You Cover Blondie "Rapture" and Change Lyrics?
14:11 Miss Krystle “Stronger”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
🟡Ready to become your own record label? Get started now!:
https://www.topmusicattorney.com/becomeyourownrecordlabel
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Friday May 03, 2024
Goodbye To Streaming | Curtiss King's Secret To More Money From Music
Friday May 03, 2024
Friday May 03, 2024
🟡 Ready to become your own record label? Get started now!: https://www.topmusicattorney.com/becomeyourownrecordlabel
In this Top Music Attorney Podcast segment, Curtiss King and entertainment attorney Miss Krystle talk about the power of direct-to-consumer (DTC) strategies in music. They discuss how artists can build their own platforms to connect directly with fans, bypassing middlemen. Curtiss King shares practical tips from his own experiences on how DTC approaches can help artists grow their fan base and make money independently. They emphasize the benefits of artists owning their music and distribution channels. Is it time to say Goodbye to Streaming and make more money from music?
00:00 Introduction
01:07 Future Of Music For Artists Is Direct To Consumer
03:34 Music Management Agreement
05:25 Streaming vs. Direct To Consumer
06:31 Utilizing AI To Help Your Music Business
06:47 Dedicating Time To Admin Work For Your Music Business
08:25 Learning How The Music Business Works & Becoming Your Own Record Label
10:45 Importance Of Die-Hard "Super Fans"
13:30 Adapting & Reacting To The Music Industry
15:40 The Value Of Art
17:37 Break Away From The System As An Independent
18:35 Curtiss King Endeavors
19:18 Advice For Independent Artists
21:06 Thank You Curtiss King!
21:29 Final Thoughts From Curtiss King
22:56 Miss Krystle “Let It Go”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
📺 Get Your Music Into Tv/Film/Games: https://www.topmusicattorney.com/sync
💻 #1 Resource For Artists And Producers: https://www.topmusicattorney.com
⚖ Hire An Attorney: https://www.delgadoentertainmentlaw.com
📰 Get My Newsletter: https://www.topmusicattorney.com/newsletter/
📄 8 Essential Music Contracts Bundle: https://www.topmusicattorney.com/contractsbundle
🎧 Listen To The TMA Podcast On All Streaming: https://www.topmusicattorney.com/podcast
🟢 Free Stuff: https://www.topmusicattorney.com/free-stuff
Friday Apr 26, 2024
Friday Apr 26, 2024
On this episode of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko dive into some industry Q&A. They cover topics like getting paid on TikTok, spotting fake plays on Spotify playlists, dealing with marketing companies, and understanding sync licensing. Their conversation is peppered with insights, anecdotes, and practical advice for musicians navigating the modern music landscape. Be sure to drop your questions in the chat. Miss Krystle will be answering your questions LIVE every Tuesday at 5pm PST.
00:00 Intro
01:07 Do you get paid from TikTok per Video or Per Stream From your PRO?
03:12 What about Spotify Playlist Bots?
04:04 Did I accidentally buy fake Spotify streams?
06:56 Coffee Or No?
08:01 Where are all the places to register music?
09:12 Can a song on streaming be eligible for sync, or does it need to be exclusive?
10:23 Do I need a contract for sync with my co publisher?
12:25 Miss Krystle “Sugar”
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Friday Apr 19, 2024
Post Cover Songs LEGALLY on YouTube 2024 (Step by Step Guide)
Friday Apr 19, 2024
Friday Apr 19, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle discusses often misunderstood world of cover songs and shares insights on how to legally perform and distribute cover songs on YouTube in 2024 and navigating the updates. From understanding the nuances between sampling and cover songs to the legal requirements and potential pitfalls, this video provides valuable information for musicians, producers, and artists looking to incorporate cover songs into their repertoire. Learn about the importance of securing licenses, dealing with takedown requests, and ensuring compliance with copyright laws. Whether you're a seasoned musician or just starting out, this step by step guide will help you navigate the legal landscape of cover songs and leverage them effectively as a marketing tool for your music career. Subscribe for more legal tips and insights to protect your artistic endeavors.
00:00 Introduction
01:07 How To Legally Do Cover Songs
01:52 Sampling vs. Cover Songs
01:59 Sampling
02:27 Interpolations
03:04 Cover Songs
04:02 Copyright Act
05:00 Blanket Licenses Are Obtained By Digital Music Providers
05:39 Mechanical Licensing Collective
06:27 Filing A Takedown
07:47 How Do Composers & Publishers Get Paid?
08:38 Syncing Your Cover Song To A Visual
11:04 Cover Song Benefits
12:09 Changing 2 Words In A Cover Song
15:45 Miss Krystle "Monster"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Monday Apr 08, 2024
Monday Apr 08, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney Miss Krystle and show/music producer That Orko discuss the common pitfalls faced by music producers when using Splice samples and why YouTube might flag beats. They discuss the importance of understanding the terms of use on platforms like Splice. They also explore the implications of using samples in commercial releases, the challenges with Content ID, and the necessity of chopping up samples creatively. Additionally, they touch upon the benefits of starting an LLC for sync works and the evolving landscape of music distribution, including the trend of artists selling directly to fans.
00:00 Intro
01:08 YouTube Is Flagging My Splice Samples. Help!
02:37 Should I Start An LLC For My Sync Work?
03:55 How Would A Union Pay Better Today Than In The Past?
04:54 Would An Artist And A Producer Have The Same Union?
05:54 Should I Use My Artist Name As A DBA For My LLC?
06:20 Where To Get Admin Agreement For Music Supervisors
06:54 Are Artists Better Off Selling On Their Own Website?
08:27 Promoting And Selling Without Being Spammy
10:53 Miss Krystle "Let It Go"
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
Friday Apr 05, 2024
How To Get Your Music in TV, Film, And Games | My Best Methods
Friday Apr 05, 2024
Friday Apr 05, 2024
On this segment of the Top Music Attorney Podcast, Entertainment Attorney, Miss Krystle, delves into a game-changing strategy that not only helps musicians make a substantial income but also serves as a powerful marketing tool. Your music could be the next big thing in TV, film, or games! Drawing from her own experiences of securing placements on platforms like Lifetime, Hulu, and Disney+, She the secrets on how to navigate the sync licensing landscape. From the smart move of utilizing royalty-free stock music platforms to exploring sync pitching libraries and even establishing direct licensing deals, she provides a comprehensive guide. Miss Krystle shares her insights on finding contacts, crafting the perfect email pitch, and, of course, the "Please Don't Do This" list. If you're serious about monetizing your musical journey, this episode is a goldmine of valuable information. Let's get your music placed.
Hire An Attorney: https://www.delgadoentertainmentlaw.com
Legal Disclaimer: The information, ideas, and suggestions in this video are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
01:07 Get Your Music Into Tv, Film, Games
02:24 1. Royalty-Free Stock Music
03:49 2. Sync Pitching Libraries
05:11 3. Submit Your Music Directly To Music Supervisors
06:22 Sync Licensing Made Easy
06:40 4. Direct Licensing Deals
07:10 How To Find Contact Information
06:59 Where To Find Music Supervisors
07:58 Tunefind
08:40 IMDB Pro
08:57 LinkedIn
09:31 Drafting The Perfect Email
10:55 No Attachments
11:45 Disco
12:20 "Please Don't Do This" List
13:30 Best Resource To Get Your Music In Tv, Film, & Games
14:13 Miss Krystle “Monster”
Thursday Apr 04, 2024
Benn Jordan Exposes Spotify
Thursday Apr 04, 2024
Thursday Apr 04, 2024
In this episode of the Top Music Attorney Podcast, Miss Krystle and Benn Jordan tackle pressing matters in the music industry, including artist compensation, challenges with digital distribution platforms like TuneCore, and legislative efforts aimed at ensuring fair pay for musicians. They discuss the complexities of streaming revenue, the dominance of major labels, and the potential impact of proposed bills on both artists and listeners. Additionally, they touch on broader issues of copyright, the value of intellectual property, and the future of music consumption. Watch as Ben Jordan exposes Spotify.
Benn Jordan is an American electronic music producer and multi-instrumentalist known for his versatility and innovative approach to music, as well as providing inside knowledge of the music industry on his channel. With a prolific output under various aliases, most notably "The Flashbulb," Jordan's work spans across genres from IDM, jazz, to ambient music. His distinctive style, blending intricate electronic production with live instrumentation, has garnered him critical acclaim and a dedicated fan base. Jordan's music often explores complex emotional themes, making his discography a rich and varied exploration of the human experience through sound.
Legal Disclaimer: The information, ideas, and suggestions in this podcast are not intended to be legal advice. Before following any suggestions contained in this video, you should consult your personal attorney. The speaker shall not be liable or responsible for any loss or damage allegedly arising as a consequence of your use or application of any information or suggestion in this video. Pursuant to the fair use doctrine under the 1978 Copyright Act, a copyrighted work owned by another may be used for criticism, commentary, news reporting, and educational purposes. The use of the livestream contained in this video falls within the fair use doctrine.
00:00 Introduction
00:10 Living Wage for Musicians Act
02:20 Equal Royalties
04:18 Universal Leaving TikTok
05:10 Spotify Not Making A Profit
06:28 Spotify's Business Model
08:33 The Problem With Spotify's & Streaming Service
09:09 Abandoning IP & Copyright
11:54 Releasing Music Through Patreon & Donations
15:15 Why Benn Jordan Still Uses Spotify
16:32 Accessibility Of Spotify & Streaming Services
19:27 Socialized Copyright
22:09 Miss Krystle "Something In The Way"